18 Sep 2017

Christoph Meier exhibition at KIOSK

Austrian artist Christoph Meier (1980, based in Vienna) conceived his show 'C O CO' as a search for potential forms of interplay between his work, the visitor, and the KIOSK exhibition spaces. Inspired by the particular architecture and history of the location, Meier presents new architectural and social spaces based on a bamboo grid structure, new and existing sculptures and a video piece.

The exhibition is a further step in the collaboration between the artist and three institutions; 'C O CO' was developed from 'C & O', the show Meier presented at Kunstverein Hamburg last year, and will in turn become the blueprint for another exhibition at Casino Luxembourg next year. For each successive location, the specific space is the basis on which new byroads temporarily cross.

Meier's practice investigates the exhibition context as a space for social interaction, and the way in which it produces and presents contemporary art. He searches for intermediate forms that accentuate the space but also, simultaneously, question it. This often results in invasive or absurdist interventions that create a tension between the existing institutional space and the architectural and/or sculptural work that the artist confronts it with.

Against the dominant central dome room of KIOSK – a former anatomical auditorium – Meier positions a seemingly light, primitive structure that cannot be surveyed in a single glance and that is every bit as peculiar and theatrical as the surrounding architecture. Bamboo sticks ostentatiously take over the space. Sticking to a rigorously fixed modular structure, they uncompromisingly and repetitively penetrate the architecture – regardless of brick or glass. Interior and exterior become interconnected. The grid imposed upon the existing space restricts the visitor's movements but it also expands the field of vision. It adds a new frame within which we can project an infinite number of imaginary spaces.

The sculptures surrounding the bamboo piece are made of found or repurposed materials that carry associations mainly of craft, industry and technology. The container-shapes of folded or perforated metal sheets waver between open and closed, unique and serial, distant and immersive, functional and dysfunctional, minimalist and complex. This game of opposites, repetition, performance and deconstruction keeps the objects in constant motion, refusing univocal interpretations. Meier hopes to see his 'social forms' uncouple from what they are to go on a search, together with the visitor, for what they might be. This makes them into a stage, a plinth or table; that is, carriers of meaning open to dialogue.

On the occasion of the exhibition, a monograph, a co-production with Kunstverein Hamburg and Casino Luxembourg, is published by Mousse Publishing.