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A Letter from Manuel Borja-Villel and Vasıf Kortun regarding Documenta 16

November 23, 2023

Documenta has been the reference of the art world for decades, marking the spirit of our times. However, today, Documenta is more of a symptom of a plagued Europe than anything else.

It is increasingly evident that culture and cultural institutions have become a battleground, which the illiberal forces are ready to conquer. The attacks against the last Documenta and the counteraction to reorganize its governance prove so. What was once a site for experimentation and autonomy is becoming a site of control. Historically, since Documenta 5, the director and their team had complete freedom of creativity. Instead, the function of the newly appointed Director of Fridericianum and Documenta Gmbh appears to be control and political supervision.

Some months ago, we both were invited individually to submit a proposal. But we decided to do a joint proposal, which was accepted and even discussed by the Finding Committee. But then we received a letter from Documenta stating that our application had to be “terminated” out of a formality. Should we have been disregarded because our project was not compelling for the Finding Committee, we would have had nothing to say. However, to be eliminated out of formality once the Committee already discussed the project was uncanny. The last news about Documenta, the resignation of Ranjit Hoskote, and later Bracha Ettinger, and the rest of the Finding Committee, is proof of a crisis that we think is not artistic but political. Even if it exposes us, we consider it ethical to go public. At stake is not only the autonomy of an institution, which has been fundamental to all of us but also the survival of Documenta itself.

As in its most extraordinary editions, the importance of Documenta lies in its capacity to address the role of art and offer tools to understand the shifts in history. As we wrote in our proposal, Documenta should adjust to alternative ways of understanding the world. We all stand to lose if Documenta avoids questioning the status quo and limits itself to social scripts.

At this moment, we have more questions than answers. What led the Committee to resign, and how did the persecution of Ranjit Hoskote begin? Was there somebody who ordered a sinister investigation to unearth an obscure document from 2019 and release it at the appropriate time? Why did another member step down after the incident? What exactly is the director’s role of Museum Fridericianum and Documenta Gmbh? Is he there to facilitate realizing the chosen project or just the opposite? How come the problem of confidentiality came out once our proposal was read? Perhaps the ideas set forth or the list of proposed collaborators were not aligned with the new spirit of Documenta. And finally, do German officials understand that Documenta, like any museum or art center, is a place where society can deal with its terrors, desires, and hopes, and can only do that when freedom of creativity is guaranteed?

Sadly, all this echoes the witch hunts targeting all public intellectuals in Europe and abroad who called for peace in Palestine. It also looks like there are invested interests in filling a space that has been left empty. At last?


Manuel Borja-Villel

Vasıf Kortun

November 22, 2023

Attachment: A summary of the correspondence with Documenta Management

1. July 2023. We were individually invited to submit a proposal for d16.

2. August 2023. After finding out that we had both been selected, that we shared a common vision, and that our mutual collaboration and that of other colleagues could enrich the project we planned to invite, we decided to send a joint proposal. Before we did that, we checked with one of the members of the Finding Committee to see if this was okay. We received a positive answer.

3. September 29. We submitted our proposal to d16.

4. September 29. The receipt of our proposal was confirmed and shared with the Finding Committee.

5. October 19. Documenta management wrote to us after the meetings of the Finding Committee. The management claimed our proposal would not be considered because the invitation was personal, and the confidentiality agreement forbade us to share the invitation “with third parties.”

6. October 20. We wrote back to refute the arbitrary interpretation of the confidentiality agreement and that one thinks about a team as one prepares a proposal. In our experience (as members of the Finding Committee and curators invited to the selection process in the past), it has also been customary for Documenta. Naturally, one requests their absolute confidentiality. We also mentioned that we were both asked to present a project and cannot be regarded as a third party.

7. October 20. After receiving another mail in which the managing director of Museum Fridericianum and Documenta stated again that our application had to be terminated (sic), we asked that the Finding Committee review this decision.

8. October 20. The managing director wrote back, stating that he is the only one who can decide about the confidentiality issue and that the Finding Committee’s function is to advise Documenta in the selection process.

9. October 22. We responded that the procedure should be fair to everybody, and working intensively on a proposal and having it turned down without deliberation is unacceptable. To the managing director’s armation that our joint proposal gave us an advantage, we explained that candidacy could be advantageous only if we assume that the finding committee cannot decide on their own will. The joint proposal put us at a clear disadvantage as we submitted one instead of two projects, which would have increased our chances.

10. October 30. Documenta’s management did not change its position and refused to consider the application on its merit.

Manuel Borja-Villel was Director of the Museo Nacional Centro de Arte Reina Sofía (MNCARS) in Madrid from 2008 until 2023.

Vasif Kortun is a curator, writer and teacher in the field of contemporary visual art, its institutions, and spatial practices. He has vast experience and knowledge in establishing mission driven institutions, long-term strategies, design and building processes and in assembling interdisciplinary teams.

Ranjit Hoskote | Documenta Resignation Letter

November 14, 2023

Ranjit Hoskote, well-known Mumbai-based author and curator, announces his resignation from the Finding Committee for the upcoming sixteenth edition of Documenta in Kassel, Germany. His resignation follows an article published in Germany’s daily Süddeutsche Zeitung on November 9, 2023. It accused Hoskote of BDS sympathies and “anti-Semitism,” based on his signing of a 2019 BDS petition against a far-right event on “Zionism and Hindutva,” cohosted by the Consulate General of Israel in Mumbai. The culture minister of Germany’s Green Party, Claudia Roth, was quick to denounce as “clearly anti-Semitic” the statement’s depiction of Zionism as a “racist ideology” and Israel as a “settler-colonial apartheid state.” Roth threatened to withdraw state funding for the renowned exhibition, whose last edition was already engulfed in a scandal around its alleged proximity to BDS and a dispute over anti-Semitic iconography.

In a sign of what is to come for German cultural institutions, Documenta was to ensure that the members of the new Finding Committee, and particularly the next artistic director(s), held no BDS sympathies. Before the members of the current Finding Committee—Gong Yan, Bracha Ettinger, Simon Njami, Kathrin Rhomberg, and María Inés Rodríguez—were announced, several well-known international curators who had already officially signed up for the Committee were suddenly removed, due to fears of BDS sympathies based solely on their ethnicity, or to their having expressed concern over the stifling consequences of the wholesale conflation of opposition to Israeli politics with anti-Semitism.

Earlier this week, another member of the new Finding Committee resigned—the Israeli painter Bracha Ettinger, for reasons that she stated were not connected to the accusations levelled against Hoskote but because Israel was enduring “dark times.” Hoskote’s resignation is the latest in a string of escalating scandals that have followed an anti-BDS resolution passed by the German parliament in 2019, with artists and curators, especially from non-European backgrounds, increasingly finding themselves targeted by weaponized accusations of anti-Semitism.

Mumbai, November 12, 2023

Dear Professor Dr. Andreas Hoffmann (managing director, Documenta und Museum Fridericianum gGmbH),

These last few days have been among the most deeply distressing days of my life. The monstrous charge of anti-Semitism has been brought against my name in Germany, a country I have regarded with love and admiration, and to whose cultural institutions and intellectual life I have contributed for several decades, as a writer, curator, and cultural theorist. Members of the German commentariat who have no acquaintance with my life and work have judged, denounced, and stigmatized me on the basis of a single signature on a petition, taken out of its context and not approached in the spirit of reason. I have been written about with harshness and condescension, and none of my detractors has thought it important to ask me for my point of view. I feel, strongly, that I have been subjected to the proceedings of a kangaroo court.

It is clear to me that there is no room, in this toxic atmosphere, for a nuanced discussion of the issues at stake. And now—in what strikes me as a doomed attempt to save a situation that is beyond saving—I am being asked to accept a sweeping and untenable definition of anti-Semitism that conflates the Jewish people with the Israeli state; and that, correspondingly, misrepresents any expression of sympathy with the Palestinian people as support for Hamas.

My conscience does not permit me to accept this sweeping definition and these strictures on human empathy. Such a definition and such strictures have been opposed by prominent Jewish thinkers such as the philosopher Omri Boehm, the historian Moshe Zimmermann, the columnist Gideon Levy, the philosopher Michael Marder, and many, many others, who reject the equation of anti-Zionism with anti-Semitism. A system that insists on such a definition and such strictures—and which chooses to ignore both criticality and compassion—is a system that has lost its moral compass. I say this with the greatest sadness.

It pains me to say that such circumstances negate Documenta’s historic openness to a diversity of positions and its capacity for sustaining the life of the imagination in a supportive environment. I greatly fear that these circumstances will compromise the generosity of spirit and the willingness to engage in dialogue that have long been sterling features of Germany’s contribution to global cultural politics.

As such, I find myself unable to perform my duties towards Documenta, an institution for which I have had great affection and which I have known well for more than twenty years, ever since Okwui Enwezor invited me to chair a panel at the Delhi platform of Documenta 11 in May 2001. It has been an honor to serve on the Finding Committee for Documenta 16, and it has been a pleasure to get to know you and work with you. With much regret, I must offer you my resignation and step down from the Finding Committee.

***

As I leave, you will agree that it is only fair that I should be permitted to state my side of this case, for the record. I would like to do this as follows:

1. I wish to restate that I have the highest regard for the Jewish people, and have always had the deepest empathy with their historic sufferings and admiration for their glorious cultural achievements. This is evident in my essays, my lectures, and my books. I am appalled by the accusation that I am anti-Semitic, and the suggestion that I am in need of instruction on this sensitive subject. Simple biographical factors render this accusation absurd. I was brought up in a pluralist family, which took pride in the diversity of India, including the presence, among us, of three distinct Jewish communities—the Bene Israel, the Cochin Jews, and the Baghdadi Jews—for centuries. My first mentor and dear friend, the great Indian poet and art critic Nissim Ezekiel, was a member of the Bene Israel community. Indeed, one of my great-aunts, Kitty Shiva Rao, was born Kitty Verständig in a Viennese Jewish family; she made her home in a newly independent India, applying her knowledge of the Holocaust to healing a young country that had been born amidst the horrors of the Partition. The Shoah is not external to me; it is one of the strands in my own family history.

2. Putting aside biographical factors, I wish to place on record also that I have publicly opposed the intellectual and cultural boycott of Israel—on the grounds that this will further weaken and isolate our liberal, progressive, critical, and inclusive colleagues within Israel. I do not share the BDS position, and disagree with it. My heart goes out both to the Jewish people and the Palestinian people, who have suffered an unremitting condition of strife for more than seven decades in West Asia.

I condemn unequivocally the terror unleashed by Hamas against Israel on October 7, 2023, and the horrendous massacre by Hamas militants of Israeli men, women, and children as well as Palestinian, Thai, Filipino, Nepali, and other individuals. I mourn the deaths of these innocent people. At the same time, I cannot ignore the brutal program of annihilation that the government of Israel has launched against the Palestinian civilian population, in retaliation. I cannot look away from this humanitarian catastrophe, its cost exacted in the lives of innocent men, women, and children. Now, more than ever, there is a compelling need to bring the communities of Israel and Palestine together, to renounce the exceptionalism of suffering on both sides, and to craft a solidarity of grief, a communion of shared vulnerability, and a process of healing and renewal.

3. Let us now consider the so-called evidence that has been presented against me: my signature on a petition circulated by the Indian Cultural Forum and dated August 26, 2019, protesting a discussion hosted by the Consulate General of Israel in Mumbai, on “Leaders’ Idea of Nations: Zionism and Hindutva.” The invitation for this event presented a portrait of Theodor Herzl, the founding figure of Zionism, alongside a portrait of V. D. Savarkar, a founding figure of Hindutva.1

My reason for signing this petition was because the event clearly posited an equivalence between Herzl and Savarkar, and was intended to develop intellectual respectability for an alliance between Zionism and Hindutva. I found this highly ironic, since Savarkar was known to be an admirer of Hitler and openly expressed his admiration for Nazi ideology and methods, which he proposed as a model for a Hindu-majoritarian India to follow, especially with regard to the treatment of the religious minorities.2 No member of the German commentariat who denounced me has asked herself or himself why the Israeli Consulate General thought it appropriate to equate Zionism with Hindutva in the first place.3

I have dedicated my life to opposing authoritarian forces and discriminatory ideologies, and my signature carried with it the weight of my commitment to dialogue, inclusiveness, mutuality, and the ceaseless quest for common ground. This commitment remains with me, as the cornerstone of my life.

With warm good wishes,
Ranjit

Notes
1. Hindutva is an authoritarian-populist ideology that emerged in the 1920s, based on the belief that the multireligious Indian subcontinent could only fulfill its historic destiny as a Hindu-majoritarian nation-state in which religious minorities would live on sufferance, as second-class citizens. Hindutva views Indian Muslims in particular as an internal enemies who must be marginalized and diminished. The founders of Hindutva drew inspiration from Nazi and fascist doctrines and methods. Since 2014, with the rise to power of the Hindutva-based Bharatiya Janata Party, freedom of expression has been curtailed, political opposition parties subjected to persecution, the media turned largely into an official mouthpiece, and minorities targeted through attacks on their places of worship, their means of livelihood, and their access to opportunities and amenities.

2. Addressing a crowd of twenty thousand people in Poona in 1938, Savarkar said: “Germany has every right to resort to Nazism and Italy to fascism, and events have justified that those -isms and forms of government were imperative and beneficial to them under the conditions that obtained there.” In 1939, Savarkar declared that Indian Muslims were “potential traitors, like the Jews in Germany.”

3. I did not author the petition, nor do I agree with every detail of the wording of the petition. But, as anyone who has ever signed a petition knows, even sharp differences of stance are temporarily set aside in the cause of establishing a coalition to address an urgency. In this case, as the list of signatories shows, the coalition consisted of some of India’s best-known artists, intellectuals, curators, and academics. As it happens, the artist who sent me the petition, asking if I would sign it, was Vivan Sundaram, whose grandmother, Marie Antoinette Gottesmann-Baktay, belonged to a Hungarian Jewish family.

Ranjit Hoskote is an Indian poet, art critic, cultural theorist, and independent curator.

An Attestation for Editorial Independence

October 31, 2023

An Attestation for Editorial Independence

October 27, 2023

In light of alleged interference with the editorial independence of Artforum, which comes after a multi-year period of corporate consolidation that has impacted the editorial viability of historically significant American art magazines:

We, the undersigned, as contributors to, and members of the art industry covered by, the following subsidiaries of Penske Media Corporation (PMC), hereby withdraw our future participation in any editorial or commercial activities of:

—Artforum Media, LLC d/b/a Artforum International Magazine, ArtforumEDU, artforum.com

—Art Media, LLC d/b/a Art in America, ARTnews, AiA Guide, artnews.com

Our non-participation is inclusive of, but not limited to: paid and unpaid subscription, contribution of writing or granting of publication rights, contribution of images or granting of image rights, purchase of advertising, consulting engagements, social media engagement, and the granting of on- or off-record interviews to employees or contractors of such entities.

Our withdrawal is perpetually attached to the brand identities of these publications, with survivorship to any successor entity with whole or partial claim to the U.S. Patent and Trademark Office word marks Artforum, Art in America, or Artnews (“ARTFORUM” reg. #1171189; “ART IN AMERICA” reg. #1256855; “ARTNEWS” reg. #5769773, U.S. Pat. & Tm. Off.).

This letter, to the extent that it is binding, may be renegotiated upon satisfaction that conditions of editorial freedom are met, namely in case of material changes in editorial organization, such as the disposition of any of the foregoing PMC subsidiaries to their staffs.

We want independent forums for art. The official culture of our time is self-destructively conservative. Moments of possibility can arise negatively, when the fallowness of existing conditions calls for other, better things to grow.

The undersigned are to be construed as having personally and independently arrived at their decision to sign this document.

TO SIGN, CLICK HERE, OR VISIT https://forms.gle/4vbLqB7LBBVeVB6S8

Signatories (in formation)

* indicates self-attested past contribution to Artforum, Art in America, and/or ARTnews

Elene Abashidze

Basel Abbas

Sophie Abramowitz*

Ruanne Abou-Rahme

Clay AD

Mira Adoumier

Rahel Aima*

Alexander Alberro*

Osama Alrayyan

Francesca Altamura

Nora M Alter*

Billie Anania*

Melissa Anderson*

Ava Ansari*

Denise Araouzou

Annie Armstrong*

Mirene Arsanios

American Artist*

Qais Assali*

Lara Atallah*

Julie Ault*

Todd Ayoung

Negar Azimi*

Graham Bader*

hannah baer*

Stephanie Bailey*

Katie Brewer Ball*

Thea Ballard*

Erika Balsom*

V Bartlett

Morgan Bassichis*

Thomas Beard*

Ashlyn Behrndt

Hugo Bausch Belbachir

Xenia Benivolski*

Anjali Benjamin-Webb

Omar Berrada

Jackson Beyda

Yalda Bidshahri*

Maya Binyam*

Hannah Black*

Jenna Bliss

Edna Bonhomme

David Borgonjon*

Meka Boyle*

Shane Boyle

Rizvana Bradley*

Julia Bryan-Wilson*

Joe Bucciero*

Kevin Buist*

Harry Burke*

Siobhan Burke*

Tom Burr*

Gabo Camnitzer

Sean J Patrick Carney*

Swagato Chakravorty*

Andrew Chan

Phil Chang*

Sara Sejin Chang (Sara van der Heide)*

Howie Chen*

Phoebe Chen*

Caitlin Cherry*

Daniel Chew

Canada Choate*

Re’al Christian*

Mary Helena Clark

Yve Laris Cohen*

Phil Coldiron*

Roger L. Conover*

Dushko Petrovich Córdova*

Anne Cousineau

Ashley Couto

Jonathan Crary*

Olivia Crough*

Thomas Crow*

María Palacios Cruz

Daniel Culpan*

Cassie da Costa*

Trinie Dalton*

Catherine Quan Damman*

Michael Dango*

Jake Davidson

Heather Davis

Mira Dayal*

Chiara De Cesari

Aria Dean*

Karen Di Franco

Brian Dillon*

Sam Dolbear*

Claire Donato

Michelle Donnelly

Kerry Doran*

Jesse Dorris*

Emory Douglas*

Ayanna Dozier*

Brian Droitcour*

Amalle Dublon*

Kit Duckworth*

Jarrett Earnest*

Curtis Eckley

Tess Edmonson

Thomas Eggerer*

Yasmine El Rashidi*

Olamiju Fajemisin*

Adham Faramawy

Abou Farman*

Johanna Fateman*

E. C. Feiss

Hannah Feldman*

Jules Pelta Feldman*

Alex Fialho*

Jazmina Figueroa*

Ciarán Finlayson*

Jameson Fitzpatrick*

iLiana Fokianaki

Nathalie Frankowski*

Sasha Frere-Jones*

Edward Frumkin

Kay Gabriel*

Cruz Garcia

Anthony Gardner

Dorota Gawęda

Carl Gent

Jeanne Gerrity*

Mariam Ghani*

Kylie Gilchrist*

Adam Gill

Melanie Gilligan*

Amber Ginsburg

Devika Girish

Katie Giritlian

Ariel Goldberg*

Peter Goldberg

Nan Goldin*

Leo Goldsmith*

Jerzy Goliszewski

Elisa Gonzalez

Sky Goodden*

Annie Goodner*

Elena Gorfinkel*

Phillip Greenlief*

Teal Griffin

Cassie Grimaldi

Amelia Groom*

Sanja Grozdanic

Gregory Grube*

David Grundy*

Serge Guilbaut

Gracie Hadland*

Rachel Haidu*

Bruce Hainley*

Moze Halperin*

Juliana S Halpert*

Ed Halter*

Justin Han

Sidsel Meineche Hansen*

Jane Ursula Harris*

Jenny Harris*

Anya Harrison*

Tobi Haslett*

Owen Hatherley*

Kaleem Hawa*

Amber Hawk-Swanson

Christa-Maria Lerm Hayes

Mostafa Heddaya*

Joseph Henry*

Martin Herbert*

Laura Herman

Josephine Heston*

Mina Heydari-Waite

Rachel Hunter Himes

Yin Ho*

J. Hoberman*

Mara Hoberman*

Josie Roland Hodson*

Tom Holert*

Deborah-Joyce Holman

Allison Leigh Holt

Lizzie Homersham*

Kevin Hong*

Sky Hopinka*

Zoe Hopkins*

Daniel Horn*

Ekalan Hou*

David Huber*

Aaron Hughes

Dylan Huw*

Xandra Ibarra

Nick Irvin*

Kahlil Irving

Arsalan Isa

sunny iyer

Jessica Jacolbe*

Gareth James*

Tom Jeffreys*

Gvantsa Jgushia

Rindon Johnson*

Eliel Jones*

Rachel Elizabeth Jones*

Imani Mason Jordan

David Joselit*

Sophie Jung

Nadia Kaabi-Linke*

Timo Kaabi-Linke*

Jennifer Kabat*

Steve Kado*

Kang Kang*

Pujan Karambeigi*

Anna Kats*

Gareth Kaye

Matt Keegan*

Liam Kenny

Sam Keogh

Grant Kester*

Adam Khalil*

Nadine Khalil*

Gelare Khoshgozaran*

Layla Khoshnoudi*

Chris King

Jonah King*

Alex Kitnick*

Melanie Kitti

Adam Kleinman*

Dana Kopel*

Shiv Kotecha*

Jennifer Krasinski*

Sarah Krautheim

Egle Kulbokaite

Annie Jael Kwan*

Claudia La Rocco*

Emily LaBarge

Daisy Lafarge

Andrew Lampert*

Rabz Lansiquot

Sophia Larigakis*

Annie Godfrey Larmon*

Quinn Latimer*

Theodore Lau

Carolyn Lazard*

Brian T. Leahy*

Pamela M. Lee*

Sam Lefebvre*

Natasha Lennard

Anneka Lenssen*

Simon Leung*

Jurrell Lewis

Dennis Lim*

Isabel Ling*

Elisa R. Linn*

Lucy R. Lippard*

David Lisbon III

Jasmine Liu*

Chloe Lizotte

Natasha Marie Llorens*

Beatrice Loayza*

Sarah Lookofsky*

Astrid Lorange

Jordan Lord*

Erica Love*

Joan Lubin

Zoey Lubitz*

Jacqueline Mabey

Deborah Macauley

George MacBeth

John MacKay*

André Magaña*

Shaunak Mahbubani*

Geoffrey Mak*

Kabelo Malatsie

Carly Mandel*

Jaleh Mansoor*

Daniel Marcus*

A.V. Marraccini*

Vijay Masharani*

Rebecca Matalon

So Mayer

Jordan Mayfield

Laura McLean-Ferris*

Blair McClendon*

Tiona Nekkia McClodden*

Karl McCool

Kevin McGarry*

Billie McKelvie

Sam McKinniss*

Bryne McLaughlin*

Joanne McNeil*

Ryan Ponder McNamara*

Samuel Medina*

Prita Meier*

John Menick*

Ara H. Merjian*

Sarah Messerschmidt*

Adeena Mey

Tricia Middleton

Alli Miller

Susette Min

Àngels Miralda*

Nicholas D. Mirzoeff*

Mahan Moalemi*

Evan Moffitt*

Marina Molarsky-Beck

Ashley Molese

Virginia L. Montgomery*

Anne Elizabeth Moore*

Magdalena Moskalewicz*

Roberto Mozzachiodi

Nina Muccia

Mariko Munro*

Tawfik Naas

Sara Nadal-Melsió

Hiji Nam*

Edwin Nasr

Hari Nef*

Jennifer Nelson

Daniel Neofetou*

Minh Nguyen*

Bob Nickas*

Kirsty Biff Nicolson

Josh Niland*

Tausif Noor*

Tavia Nyong’o*

Ahmet Öğüt*

Hussein Omar

David O’Neill*

Precious Opara

Maru Pabón

Cassie Packard*

Amanda B Parmer*

Blake Paskal

Max Pearl*

David Peck

Andreas Petrossiants*

Leah Pires*

Gina Pisto

Laura Poitras*

William Powhida*

Yasmina Price*

Stephen Prina*

Sarah Nicole Prickett*

Ralph Pritchard

Risa Puleo*

Anni Pullagura

Farah Al Qasimi

Gregor Quack*

Nasser Rabbat*

Rachael Rakes*

Michael Rakowitz*

Adriana Ramić

Lisi Raskin*

Abyn Blue Atticus Reabe

Pranay Reddy

Angus Reid

Tiana Reid*

Daniel Jonas Roche

Carissa Rodriguez

Sam Roeck

Jake Romm

Roberto Ronzani

Em Rooney*

Tracy Rosenthal*

Betya Roytburd

Nicole Rudick*

Alan Ruiz*

Susanne Sachsse*

Rijin Sahakian*

Josephine Sales*

Zoé Samudzi*

Jasmine Sanders*

Larissa Sansour

Suneil Sanzgiri*

Sarah Schulman*

Erica Scourti

Cory John Scozzari

Alan Martín Segal

Jimin Seo

Ekrem Serdar

sgp

Nizan Shaked*

Girish Shambu*

Christina Sharpe*

Helen Shaw*

Sadia Shirazi*

Elizaveta Shneyderman*

Gregory Sholette*

Daniella Shreir

Tiffany Sia*

Marc Siegel*

Thora Siemsen*

Noah Simblist*

Jeffrey Skoller*

Robert Slifkin*

Willa Smart

William S. Smith*

Ksenia M. Soboleva*

Ebun Sodipo

Grace Sparapani

Kaegan Sparks*

Daniel Spaulding*

Kerstin Stakemeier

Hannah Stamler*

Trevor Stark

Rachel Vera Steinberg

Blake Stimson*

Diamond Stingily*

Brett Story*

Jordan Strafer*

Linda Stupart*

Brandon Sward

Martine Syms*

Ania Szremski*

Rea Tajiri

Jeannine Tang*

Erdem Taşdelen*

Sean Tatol*

Amy Taubin*

Nigel Taylor

Niall Tessier-Lavigne

Minsoo Thigpen

Vanessa Thill*

Skye Arundhati Thomas*

Abhijan Toto*

Ana Tuazon*

Martha Tuttle

Rachel Valinsky*

Luis A. Vázquez*

Mark Verabioff

Nikhil Vettukattil

Janique Vigier*

Marina Vishmidt*

Wendy Vogel*

Claire Voon*

Tony Waite

Brett Wallace*

Ian E Wallace*

Theadora Walsh*

Emilia Wang*

Xueli Wang*

Justin Waugh

Lori Waxman*

Joshua Caleb Weibley

Andrew Weiner

Valerie Werder

Francis Whorrall-Campbell

Axel Wieder*

Elvia Wilk*

Conor Williams*

Evan Calder Williams*

Bryce Wilner

Bryan McGovern Wilson

Jennifer Wilson*

Kaelen Wilson-Goldie*

Susanne M Winterling*

Andrew Witt*

Stanley Wolukau-Wanambwa*

Harley Wong*

Ian Wooldridge*

Cici Wu*

Danie Wu*

Simon Wu*

Yang-ha

Matvei Yankelevich*

Gillian Young*

Genevieve Yue*

Constantina Zavitsanos*

Nace Zavrl

Raul Zbengheci

Drew Zeiba*

Jerilea Zempel*

Andros Zins-Browne*

Freedom for the One Who Thinks Differently. An open letter from a group of Jewish artists, writers, and scholars in Germany

October 27, 2023

WE, THE UNDERSIGNED Jewish writers, academics, journalists, artists, and cultural workers living in Germany, are writing to condemn a disturbing crackdown on civic life in the wake of this month’s horrifying violence in Israel and Palestine.

There is no defense for the deliberate targeting of civilian life. We condemn without reservation the terrorist attacks on civilians by Hamas. Many of us have family and friends in Israel who have been directly affected by this violence. We condemn with equal force the killing of civilians in Gaza.

In recent weeks, regional and city governments across Germany have banned public gatherings with presumed Palestinian sympathies. Canceled demonstrations include those named “No conflagration in the Middle East,” “Youth against Racism,” and “Solidarity with the civilian population of Gaza.” The ban extends to gatherings planned by Jews and Israelis, including one called “Jewish Berliners against Violence in the Middle East.” In an especially absurd case, a Jewish Israeli woman was detained for standing alone in a public square while holding a sign denouncing the ongoing war waged by her own country. 

The police have offered no credible defense of these decisions. Virtually all of the cancellations, including those banning gatherings organized by Jewish groups, have been justified by the police in part due to the “imminent risk” of “seditious, anti-Semitic exclamations.” These claims, we believe, serve to suppress legitimate nonviolent political expression that may include criticisms of Israel.

Attempts to defy these arbitrary restrictions are met with indiscriminate brutality. Authorities have targeted immigrant and minority populations across Germany, harassing, arresting, and beating civilians, often on the flimsiest of pretexts. In Berlin, the district of Neukölln, home to large Turkish and Arab communities, is now a neighborhood under police occupation. Armored vans and squads of armed riot police patrol the streets searching for any spontaneous showing of Palestinian support or symbols of Palestinian identity. Pedestrians are shoved and pepper-sprayed at random on the sidewalk. Children are ruthlessly tackled and arrested. Those detained and arrested include well-known Syrian and Palestinian activists. Schools have banned Palestinian flags and keffiyeh, and although these objects are legally permitted in public, to possess one invites police violence and arrest. Earlier this year, Berlin police officers admitted in court that in suppressing protests they have targeted civilians who “stood out” for wearing the colors of the Palestinian flag or scarves associated with Palestinian solidarity. A preponderance of filmed evidence suggests that this remains the case, and that racial bias plays a significant role in the targeting of suspects.

These infringements of civil rights are taking place almost entirely without comment from Germany’s cultural elites. Major cultural institutions have silenced themselves in lockstep, canceling productions that deal with the conflict and de-platforming figures who might be critical of Israel’s actions—or who are simply Palestinian themselves. Such voluntary self-censorship has produced a climate of fear, anger, and silence. All this is done under the banner of protecting Jews and supporting the state of Israel.

As Jews, we reject this pretext for racist violence and express full solidarity with our Arab, Muslim, and particularly our Palestinian neighbors. We refuse to live in prejudicial fear. What frightens us is the prevailing atmosphere of racism and xenophobia in Germany, hand in hand with a constraining and paternalistic philo-Semitism. We reject in particular the conflation of anti-Semitism and any criticism of the state of Israel.

At the same time that most forms of nonviolent resistance on behalf of Gaza are suppressed, acts of violence and intimidation are also taking place: a Molotov cocktail thrown at a synagogue; Stars of David drawn on the doors of Jewish homes. The motivations for these indefensible anti-Semitic crimes, and their perpetrators, remain unknown. It is clear, however, that Germany’s refusal to recognize a right to grieve the loss of lives in Gaza does not make Jews safe. Jews were already a vulnerable minority population; some Israelis report they are afraid to speak Hebrew on the street. Bans on demonstrations and their violent enforcement only provoke and escalate violence. We also contend that the perceived threat of such assemblies grossly inverts the actual threat to Jewish life in Germany, where, according to the federal police, the “vast majority” of anti-Semitic crimes—around 84 percent—are committed by the German far right. If this is an attempt to atone for German history, its effect is to risk repeating it.

Dissent is a requirement of any free and democratic society. Freedom, wrote Rosa Luxemburg, “is always and exclusively freedom for the one who thinks differently.” As our Arab and Muslim neighbors are beaten and silenced, we fear the atmosphere in Germany has become more dangerous—for Jews and Muslims alike—than at any time in the nation’s recent history. We condemn these acts committed in our names.

We further call on Germany to adhere to its own commitments to free expression and the right to assembly as enshrined in its Basic Law, which begins: “Human dignity shall be inviolable. To respect and protect it shall be the duty of all state authority.”

Yoav Admoni, artist 

Abigail Akavia 

Hila Amit, writer and teacher 

Yael Attia

Maja Avnat, scholar 

Lyu Azbel, professor 

Gilad Baram, filmmaker and photographer 

Yossi Bartal 

Alice Bayandin, photographer and filmmaker 

Eliana Ben-David  

Anna Berlin, artist 

Sanders Isaac Bernstein, writer 

Adam Berry, photojournalist and TV news producer 

Jackson Beyda, artist 

Julia Bosson, writer 

Paula-Irene Villa Braslavsky, sociologist

Ethan Braun, composer 

Candice Breitz, artist 

Adam Broomberg, artist 

Jeffrey Arlo Brown 

Noam Brusilovsky, theater and radio maker 

Cristina Burack 

Dalia Castel, filmmaker 

Alexander Theodore Moshe Cocotas, writer and photographer 

Eli Cohen, dancer 

Zoe Cooper, writer 

Miriam Maimouni Dayan, writer and artist 

Dana Dimant, filmmaker 

Emily Dische-Becker 

Esther Dischereit, writer 

Tomer Dotan-Dreyfus, writer 

Asaf Dvori

Shelley Etkin, artist 

Emet Ezell 

Deborah Feldman, writer 

Sylvia Finzi 

Erica Fischer, writer 

Nimrod Flaschenberg 

Ruth Fruchtman, writer 

Olivia Giovetti, writer and cultural critic 

Harry Glass, curator 

William Noah Glucroft 

A.J. Goldmann, writer and photographer 

Jason Goldman 

Noam Gorbat, filmmaker 

Avery Gosfield
Liat Grayver, artist

Max Haiven, professor 

Yara Haskiel, artist 

Iris Hefets, psychoanalyst and author 

Marc Herbst 

Wieland Hoban, composer and translator 

Sam Hunter, writer/director 

Alma Itzhaky, artist and writer 

Eliana Pliskin Jacobs

Eugene Jarecki

Roni Katz, choreographer and dancer 

Otto Kent, writer and performer

Giuliana Kiersz, writer and artist

Marett Katalin Klahn 

Michaela Kobsa-Mark, documentary filmmaker 

David Krippendorff, artist 

Quill R. Kukla, philosopher

Sara Krumminga 

Jenna Krumminga, writer and historian 

Matt Lambert, artist 

Na’ama Landau, filmmaker

Elad Lapidot, professor 

Danny Lash, musician 

Boaz Levin, Curator

Eliza Levinson, journalist and writer 

Shai Levy, filmmaker and photographer 

Rachel Libeskind

Rapha Linden, writer 

Adi Liraz, artist 

Anna Lublina 

Sasha Lurje 

Roni Mann, professor 

Ben Mauk, writer 

Lee Méir, choreographer 

Dovrat Meron 

Aaron Miller, scientist and artist 

Ben Miller 

Carolyn Mimran 

Shana Minkin, scholar 

Andrea Morein, Künstlerin, Kuratorin

Susan Neiman, philosopher 

Gilad Nir, philosopher 

Ben Osborn, musician and writer 

Rachel Pafe, writer and researcher 

Peaches, musician 

Siena Powers, artist and writer 

Udi Raz 

Aurelie Richards, Kunstvermittlerin 

Kari Leigh Rosenfeld 

Liz Rosenfeld 

Ryan Ruby, writer 

Rebecca Rukeyser, writer 

Alon Sahar 

Tamara Saphir 

Eran Schaerf 

Anne Schechner 

Oded Schechter, scholar 

Jake Schneider 

Ali Schwartz 

Maya Shenfeld, Composer 

Cari Sekendur, designer 

Yael Sela (Teichler), historian 

Mati Shemoelof, poet and writer 

Lili Sommerfeld, musician

Maya Steinberg, filmmaker 

Robert Yerachmiel Sniderman, poet-artist 

Avinoam J. Stillman 

​​Virgil B/G Taylor 

Tanya Ury, artist and writer 

Ian Waelder, artist and publisher 

Eyal Weizman

Rachel Wells, performer and producer 

Sarah Woolf 

Yehudit Yinhar 

Sivan Ben Yishai, writer

Dafna Zalonis, artist 

A German-language version of this letter appeared in taz.

Both Should Come Together: Response to Open Letter from the Art Community to Cultural Organizations

October 26, 2023

There should be no contradiction between staunchly opposing the Israeli occupation and the humanitarian crisis in Gaza, and unequivocally condemning brutal acts of violence against innocent civilians in Israel. A letter from members of the Art community addressing the OPEN LETTER FROM THE ART COMMUNITY TO CULTURAL ORGANIZATIONS

We, members of the art community, are saddened and disappointed by the OPEN LETTER FROM THE ART COMMUNITY TO CULTURAL ORGANIZATIONS, published in several major art magazines, such as Artforum, Hyperallergic, and ArtLeaks, and by the blatant lack of any mention of the heinous massacre carried out by Hamas in the south of Israel on October 7th. The letter was signed by many colleagues and friends, individuals with whom we share many ideals and common struggles. The omission of any substantive acknowledgment and condemnation of Hamas’s acts has added to the deep sadness, trauma, and despair that we are experiencing in the wake of October 7th.

On that bloody day, Israeli Jews, Palestinian citizens of Israel, and foreign nationals, were indiscriminately murdered and abducted. The massacre of hundreds at a rave, the rape, brutalization, the mutilation of bodies, torturing of children, the wiping out of entire families, the killing of medical workers, cannot be described as anything less than a crime against humanity. 

What’s most upsetting is the complete absence of any mention of over 200 people kidnapped, most of them civilians, including babies, children, old and sick people. Those who signed the letter demand a ceasefire for humanitarian reasons. But, in the letter, the hostages are not part of the humanity they are appealing for. By omission, they are legitimizing the abduction of civilians. Yes, we accept and support calls for ending the violence, supporting Palestinian liberation, putting an end to the occupation (as we have for years), and the cessation of the killing of civilians in Gaza and elsewhere. By ignoring the rights of all who live in Israel, It is as if those who signed the letter are dehumanizing all of those who live in Israel, the 9 million people who have a right to exist.

To delve into the details of Gaza and then make only a general statement that condemns violence from all sides without giving any room to the horrors of October 7th, undermines the moral stance taken by the letter’s signatories. The fight for liberation and freedom could be a shared effort involving all who believe in these principles, fighting together to achieve them. It’s vital to acknowledge the suffering of everyone rather than adhering to extremist fundamentalist ideologies, which have brought us to this harrowing point in time.

There should be no contradiction between staunchly opposing the Israeli occupation and the humanitarian crisis in Gaza, and unequivocally condemning brutal acts of violence against innocent civilians in Israel;

both should come together.

(link to OPEN LETTER: https://www.artforum.com/columns/open-letter-art-community-cultural-organizations-518019/)

  1. Mierle Laderman Ukeles
  2. Rivka Saker
  3. Zoya Cherkassky
  4. Daniel Libeskind
  5. Hito Steyerl
  6. Ron Arad
  7. Prof Dr Jörg Heiser
  8. Martha Rosler
  9. Zoe Buckman
  10. Dan Perjovschi
  11. Prof Dr Dorothee Richter
  12. Johann König
  13. Daniel Richter
  14. Dana Yahalomi
  15. Dennis Scholl
  16. Doreet LeVitte Harten
  17. Sebastian Muehl
  18. Oliver Hirschbiegel
  19. Šárka Basjuk Koudelová
  20. Michaela Melián
  21. Drorit Gur Arie
  22. Barbara Kirshenblatt-Gimblett
  23. Ira Eduardovna
  24. Tal R
  25. Mohammad Salemy
  26. MiKi Lazar
  27. Mia Habib
  28. Andreas Siekmann
  29. Michal Heiman
  30. Ivor Stodolsky
  31. Dmitry Vilensky
  32. Martin Köttering
  33. David Neuman
  34. Adi Nes
  35. Ronen Eidelman
  36. Yonatan Amir
  37. Yancey Richardson
  38. Gerhard Haase-Hindenberg
  39. Roee Rosen
  40. Nirith Nelson
  41. Larry Abramson
  42. Aya Lurie
  43. Aya Ben Ron
  44. Tsibi Geva
  45. Nahum Tevet
  46. Hannan Abu-Hussein
  47. Tyler Emerson-Dorsch
  48. Elham Rokni
  49. Ilit Azoulay
  50. Yael Bartana
  51. Olga Tsaplya Egorova
  52. Soraya Nazarian
  53. Avi Lubin
  54. Nira Pereg
  55. Tomer Sapir
  56. Hadas Reshef
  57. Tami Notsani
  58. Ruth Patir
  59. Elad Rosen
  60. Yael Ferber
  61. Gillian Laub
  62. Sala-manca
  63. Goni Riskin
  64. Milana Gitzin Adiram
  65. Neta Riskin
  66. Ella maor
  67. Oliver Marchart
  68. Anat Keinan
  69. Dan Robert Lahiani
  70. Udi Edelman
  71. Sophie Pearlstein
  72. Robert Shub
  73. Laurie Ziegler
  74. Elie Rizel
  75. Daniela Amitai
  76. Danny First
  77. Helen N. Lewis
  78. Monica Goldberg
  79. Arushi Kapoor
  80. Yael Kanarek
  81. Scott Ziegler
  82. Carol Saper
  83. Leon Levy Blohm
  84. Günter Reznicek
  85. Yasmin Gee
  86. Noa Wynn
  87. Tamara Mozyes
  88. Tali Kayam
  89. Lior Zalmanson
  90. Tom Pnini
  91. Yael Frank
  92. Ivet Reyes Maturano
  93. Ruth Oppenheim
  94. Lori Spector
  95. Inbal Nissim
  96. Svetlana Reingold
  97. Brendan Mahoney
  98. Jonathan Gold
  99. Dana Yoeli
  100. Hadas Zemer Ben-Ari

Full list of signatures and if you agree to add yours HERE.