Worldwide openings this week


Recent announcements

20 Jul 2017

'Research Methods for Curators and Artists' Online Course by Node Center

Node Center for Curatorial Studies

18 Jul 2017

The House that Heals the Soul at CCA Glasgow

Centre for Contemporary Arts, Glasgow

17 Jul 2017

Cinemaniac Think Film 2017

Cinemaniac Think Film + Apoteka - Space for Contemporary Art

17 Jul 2017

Van Eyck Call for Applications

Van Eyck, Multiform Insitute for Fine Art, Design and Reflection

13 Jul 2017

IMPACT 10 ENCUENTRO - Call for Submissions

Encounter & International Multidisciplinary Printmaking Conference

11 Jul 2017

Last chance to exhibit during Berlin Art Week

fair for contemporary art

10 Jul 2017

Volume 40 (July 2017) n.paradoxa

Editor: Katy Deepwell

1. Register in order to get a username and a password.
2. Log in with your username and password.
3. Create your announcement online.

Friday 12.10.2012

ARBA-ESA / International Symposium / The Beautiful, The Useful, The Necessary


ARBA-ESA / INTERNATIONAL SYMPOSIUM / THE BEAUTIFUL, THE USEFUL, THE NECESSARY
The Royal Academy of Fine Arts of Brussels / Higher School of Arts
http://www.arba-esa.be

Info

October 30th 2012 (10h/18h) October 31st 2012 (10h/18h)

Contact

info@arba-esa.be
Enzo Pezzella
+32 2 506 10 25
+32 2 506 10 28

Address

http://www.arba-esa.be
Académie Royale des Beaux-Arts
144 rue du Midi
1000 Bruxelles
Belgium

Share this announcement on:  |

As part of the 300th anniversary of the Royal Academy of Fine Arts in Brussels- founded in 1711.

Organised with:
- HEAD- Genève/ Geneva university of art and design
- Royal Danish Academy of Fine Arts, Copenhagen
- Parsons The New School for Design, New-York

October 30th 2012 (10h/18h)
October 31st 2012 (10h/18h)

Royal Library of Belgium, Brussels
Boulevard de l'Empereur,2/ 1000 Brussels

Language: French/English

' Typical, or relatively accepted definitions that are trying to frame differences between art and decorative arts, art and industry, art and science, or art and goods do not stand anymore. No set of oppositions or specifications is relevant, no matter if it originates with the author, or is linked to functionality, usefulness, sponsor, use or users.
Here is a territory being redefined and generating mutations that are just about becoming visible but are nevertheless afoot. Art in its process, 'useful' arts in their evolution are now less about producing artefacts than the creation of life systems that both encompass the meaning of the user's role and the functionality in its full meaning. This question has been a focal point for the recent history of art (…)'.

Speakers:

James Auger (UK)
Anthony Aziz (USA)
Louis Bec (F)
Jan Bäcklund (D)
Maria-Bonnafous Boucher (F)
Juliette Cezzar (USA)
Matali Crasset (F)
Raphael Cuir (F)
Cecilie Høgsbro (D)
Michaël Jakob (CH)
Carsten Juhl (D)
Lysianne Léchot Hirt (CH)
Alexandra Midal (F)
Bridget O'Rourke (USA)
Marc Partouche (B)
Daniel Sciboz (CH)