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Sinop Biennial 7: Here and Where

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Tuesday 06.08.2019

Sinop Biennial 7: Here and Where

(1) Hal, former market place, Sinop. (2) Ancient shipwreck, Black Sea. (3) Paleolithic stones from Kefken, Black Sea region. (4) Hamam, Sinop. Gif: Mona Mahall, Asli Serbest.

Sinop Biennial 7: Here and Where / A Politics of Location
Sinop Biennial


- Processes, growing exhibition in Sinop: August 16–September 6 > At Hal (market place), former ice factory, and public spaces and landscapes in Sinop and the B - Processes, archival exhibition in Istanbul: September 12–20 > At Tophane-i Amire Istanbul, Turkey

Asli Serbest
+49 152 25789331

Sinop Biennial
Hal, Kaleyazısı Mahallesi, Azaklıoğlu Sk. 2
57000 Sinop

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The 7th Sinop Biennial, curated by Asli Serbest and Mona Mahall, will take place between August 15 and September 6, looking at the potentials of a politics of location. The processes and practices from Sinop will spread out into other localities at the Black Sea Coast and will be continued in Istanbul between September 12 and 20.

The Sinop Biennial is based on situated practices and collaborative processes. It finds a starting point at the former market place 'Hal' in the center of Sinop, the northernmost coastal city of Turkey, to explore various localities in the Anatolian Black Sea region. Moving on collective routes, the aim is to gather diverse histories, experiences, and artistic inquiries in situ: in the local geo- and socio-political realities, the Black Sea's archival and colonized landforms and body of water. They pass over nation states and contain fragments from the past and future; the memory of a Russian spy whale from Cold War times, as well as perfectly intact ancient ships deep down in the dark sea together with tons of plastics. They are the site of particular relations and rites, of acts of political resistance and historical persistence; of changing infrastructures and movements from those who left and those who arrived—deliberately or not.

Modifying the idiom here and there, the title 'here and where' refers to a place at the border of our perception and excluded from our dominant narratives. Yet, a place, where geo-political and geo-cultural realities together with a history of material, linguistic, and mythological exchange shape a lived present. It implies a politics of location. Formulated by the feminist poet Adrienne Rich (1929–2012), a politics of location aims to reconnect thinking and speaking with a situated experience, a particularity, a geography, a body. The politics of location does not however take locality as the site of foundational knowledge; rather, it understands location as the place of experienced connections and intersections—through routes rather than roots. In that, the local begins, not with a bounded site but with historical contact, in relations and translations, and by displacements. The local takes place as an itinerary, a series of encounters, contacts, and conflicts, on routes that enable and discipline the movement of beings and things; where politics is situated.

Routes to follow at the Black Sea are: the Danube downstream into the Black Sea, Diogenes' mythical travel from his hometown Sinop to Athens, the beltway connecting the six neighbors around the coast, the flows of oil, trash, data, swarms and pheromones from the Bosporus; to follow some of these routes might help us understand location as the relationship between things and beings.

While the biennial establishes contact zones on routes that are traversed by things and beings, it is concerned with the potentials of discrepant movement, with tactics of translation and transgression, with encounters as political and aesthetic impulse. It aims to initiate active contacts and processes, establish collective practices between residents, guests, and (sub)urban region; it aims at art being produced rather than placed there. Through transversal processes of conversation, translation and improvisation the biennial engages in questions of possible other and emancipated ways of connecting to things and beings, of recognizing and collectively producing alternative forms of knowledge with guests, the local environment and its inhabitants (animals, humans, plants, technology).

To move these forms of knowledge from the Black Sea Coast to Istanbul and other places, we will produce an open and nomadic archive. There, the situated practices and collaborative processes will be continued and shared.
Asli Serbest, Mona Mahall

All contributions to the seventh edition will be developed in Sinop or in the region by Mobile Albania, Halil Altındere, Aristide Antonas, The Dynamic Archive, Mehtap Baydu, Banu Cennetoğlu, Övül Durmuşoğlu, Fulya Erdemci, Annika Eriksson, Hayırlı Evlat Collective, Ana Filipovic, Marina Fokidis, Kevser Güler, Pauline Curnier Jardin, Angela Melitopoulos, Mahir Namur, Pınar Öğrenci, Kemal Özen, Şener Özmen, theater.prekariat, Beekeeping Project, Hito Steyerl, Johannes Vogl, Sheri Wills, Brian Kuan Wood, Adnan Yıldız, Sibel Yılmazer, and others.
Please see for a complete list of contributors.

Sinop [August 16–September 6]
August 16, 19:00 Opening reception at the Hal (market place)
August 16– September 6 Workshops and evolving exhibition in Sinop and the Black Sea region
September 6 Exhibition tour

Istanbul [September 12–September 20]
September 12, 19:00 Opening reception at the Tophane-i Amire
September 13, 14:00 Talks, presentations at the Tophane-i Amire
September 12–20 Parallel program of the Istanbul Biennial
[screenings, talks, exhibition at Tophane-i Amire]

From December 2019 Sinop Biennial will continue in Berlin and Stockholm.

About Sinop Biennial
Building on its long-term micro-political and emancipatory efforts as organizer of the Sinop Biennial, the European Cultural Association, in co-operation with international curators, takes a contextual and collective approach to the biennial, their events, thematic and discursive direction. It fosters investigations into various forms of engagement through local movements, initiatives from civic society and nongovernmental politics.
Sinop Biennial consists of a multitude of events of different formats. Without hierarchical structures, workshops, field trips and ephemeral performative events spread out into the entire town of Sinop and into the region. Additional open-air film screenings, educational programs of the Sinop Summer Academy and Sinopale Kids are inviting local residents and guests to further interaction and exchange.

About Asli Serbest and Mona Mahall

Based in Berlin, Asli Serbest and Mona Mahall have been working as a collective since 2007. In their research-based practice they reflect and produce space through various media: architectures, exhibitions, installations, scenographies, as well as (video-)texts, concepts, and publications. Their projects are explorations of particular past, present and future contexts and aim at negotiating the evolving relationship between architecture, art, and the political.
They exhibit and publish internationally, among others at Biennale di Venezia, 2012, 2014, 2019; Württembergische Kunstverein Stuttgart, 2015, 2018; Riverrun Istanbul, 2018; Pinakothek der Moderne, Munich, 2017; Storefront for Art and Architecture, New York, 2014, 2015; HKW, Berlin, 2012; Vancouver Art Gallery, 2013; Künstlerhaus Stuttgart, 2013; New Museum, New York, 2009; in e-flux journal, Volume Magazine, Perspecta, The Gradient–Walker Art Center, AArchitecture, Deutschlandfunk, etc.

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