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Monday 21.05.2018

Forms of Lives - Valérie Jouve at Museum of Modern and Contemporary Art of Saint-Etienne Métropole


Valérie Jouve, Sans titre (Les Paysages), 2013/18. C-Print. Courtesy galerie Xippas © Valérie Jouve / ADAGP, Paris 2018.

Forms of Lives - Valérie Jouve
Museum of Modern and Contemporary Art of Saint-Etienne Métropole
http://www.mamc-st-etienne.fr/

Info

Until September 16th Vernissage on 25th May - 6.30 pm

Contact

lucas.martinet@saint-etienne.fr
Lucas Martinet
+33 (0)4 77 79 52 41

Address

http://www.mamc-st-etienne.fr/
Museum of Modern and Contemporary Art of Saint-Etienne Métropole
La Terrasse
42000 Saint-Etienne
France

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On the occasion of its 30th anniversary the Museum hosts, for her first exhibition in Saint-Etienne, the artist photographer, Valérie Jouve, a native of the region.

Born in Firminy in 1964, Valérie Jouve is exhibiting for the first time in her native region. This event is far from anodyne since the photographer has always insisted on the importance of her Saint-Etienne culture in the issues dealt with by her images. From her beginnings her shots of Marseille suburbs focused on the spaces which manage to combine the urban territory and the landscape qualities of certain cities. She has never taken photos of outer-city zones as enclosed spaces but as places of human sharing, as she had experienced in her native Firminy-Vert neighbourhood.

Throughout the development of her work she has regularly returned to the Saint-Etienne region to discover, reveal and detect the evolution of our society: the so-called disappearance of class, the new white-collar elites, the denial of realities (such as the pastel colouring of urban facades in Saint-Etienne during the 1980's, for example).

Granted a complete free rein by the Museum for its 30th anniversary, Valérie Jouve could have chosen to espouse a process of scrupulous retrospective and present an exhaustive inventory of her work. However, reviewing in such an artificial manner work carried out over a period of thirty years would not have enhanced the dialogue she wishes to establish with the Saint-Etienne region of today. She has preferred to design a series of unpublished photographic montages, or more precisely, dialogues, which will take their place in her personal portfolio and become part of the exhibition history of a museum which is very conscious of its attachment to the region, its territorial roots. As Valérie Jouve likes to point out, the backbone to her work is not considering her photographs as works of art, definitively fixed in an unchanging temporality, but as favouring the creation of relationships, in resonance, beyond any notion of chronology.

The images of Valérie Jouve, brought together in the exhibition, go beyond any description of reality. While she uses an essentially aesthetic documentary approach, it is always a question for her of restoring the capacity of the image to enrich our imagination, its aptitude to set it in motion, rather than simply the opportunity to see, to read or recognize the subject of the photograph.

The exhibition,'Forms of lives' will certainly refer to the past, with previously unpublished images, taken in Saint-Etienne, but will also prefigure her future work with more contemporary photographs taken in recent years. A montage conceived as an intimate conversation with her region. Her images have no identified origin nor specified places – another characteristic of her approach – and will question our time, our human societies, and our living beings. And, for the first time, certain more autobiographical images will come to divulge fleeting moments in her artistic progression. A prospective dimension will also be present with more recent images, signifying new orientations in her work.

Curator : Martine Dancer-Mourès, general curator in charge of 30th anniversary program

Biography : Born in Firminy in 1964, Valérie Jouve is a French photographer, videographer and film director. Trained as an anthropologist, she then graduated from the Higher National School of Photography in Arles in 1990. Photography constitutes for her an extension of the human sciences. Her work is characterised by a certain fascination for urban spaces, its inhabitants and their behavior. In 2003 she released her first full length film, entitled the'Grand Littoral'. Between 2008 and 2009 Valérie Jouve started to focus on Jerusalem and Palestine, a region to which she returns regularly. She was awarded the Niépce prize in 2013 and was nominated as 'Chevalier de l'Ordre des Arts et des Lettres' in 2011. In 2015 a solo exhibition was presented at the Jeu de Paume. Her works are now part of collections in several major museums.