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25 Oct 2011

Americas Society and Columbia University Symposium: The Politics of Camouflage in Artistic Practices from the 1970s


Antonio Manuel, As Armas do Diálogo, Flan (sterotype mold), 1968. Courtesy of artist.

Americas Society and Columbia University Symposium: The Politics of Camouflage in Artistic Practices from the 1970s
Americas Society Gallery
http://www.as-coa.org/visualarts

Info

October 28, 2011 12:30 PM - 5:00PM

Contact

tdoulamis@as-coa.org
Theodora Doulamis
001-212-227-8367
001-212-249-5868

Address

http://www.as-coa.org/visualarts
Columbia University
612 Schermerhorn Hall, 1190 Amsterdam Avenue
New York, 10027
USA

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In conjunction with the exhibition Antonio Manuel: I Want to Act, Not Represent! Americas Society will partner with the Department of Art and Archaeology at Columbia University for a symposium.

This day-long event will explore the development of artistic practices as a result of political oppression in Latin America and internationally during the 1960s and 1970s. Throughout this era, artists dealt with politically complex issues in their artistic production through a variety of styles and media. These aesthetic explorations include the 'New Objectivity,'' geometric abstraction, socially-engaged art, media-related and investigative projects, and, finally, conceptual, body, and performance art.

Speakers: Michael Asbury (Chelsea College of Art and Design, University of the Arts London), Sergio Bessa (Bronx Museum), Claudia Calirman (John Jay College), Nicolás Guagnini (Barnard College), Gabriela Rangel (Americas Society), Judith Rodenbeck (Sarah Lawrence College), Irene Small (University of Illinois)

Moderator: Alexander Alberro (Columbia University/Barnard College)